Before the Remote, There Was a Rumor: How Americans Once Found Out Who Won the Game
Before the Remote, There Was a Rumor: How Americans Once Found Out Who Won the Game
It's Game 7 of the World Series. You're sitting on your couch with your phone in one hand, a beer in the other, three different stat-tracking apps open, and the game streaming in 4K on a 65-inch screen. The pitcher's ERA is displayed in the corner. A push notification just told you the starting lineup changed twenty minutes before first pitch.
Now rewind about a hundred years. Same game. Different world entirely.
The Crowd Was the Broadcast
In the early decades of professional baseball — and really, through much of the first half of the 20th century — if you wanted to experience a game, you had two options: show up, or wait. Showing up meant buying a ticket and physically sitting in the ballpark. Waiting meant piecing together whatever fragments of information trickled out through newspapers, word of mouth, or, in some cities, the theatrical workaround of the telegraph board.
Those telegraph boards deserve a moment. In cities with active newspapers or Western Union offices, crowds would gather on the sidewalk outside to watch a large manual scoreboard updated in real time via telegraph reports from the stadium. Operators inside would receive Morse code play-by-play descriptions and physically move letters and numbers on the board while the crowd outside reacted as if they were watching the game itself. It was, by any modern measure, absurd. It was also wildly popular.
For smaller towns — and most of America was smaller towns — even that wasn't available. A game played in New York or Chicago might not reach rural Indiana until the next morning's newspaper, if the paper ran the full box score at all. A World Series result could take the better part of a day to reliably reach communities more than a few hundred miles from the action.
Radio Rewired Everything
The first live radio broadcast of a Major League Baseball game took place on August 5, 1921, when Harold Arlin called a Pittsburgh Pirates game on KDKA in Pittsburgh. It was a modest, experimental affair — but it cracked open a door that would never close again.
Throughout the 1920s and 1930s, radio transformed American sports fandom. Suddenly, a farmer in Kansas could sit in his kitchen on a Tuesday afternoon and hear a real human voice describe a Yankees game happening in real time, 1,500 miles away. The intimacy of it was unlike anything that had come before. Announcers like Red Barber and Mel Allen became household names — voices more familiar to many fans than the players themselves.
It's worth noting that even radio had its own workarounds. Many stations that didn't have the budget or the rights for live coverage would receive telegraph play-by-play updates and have their announcers recreate the game live on air — describing pitches, crowd noise, and action based on sparse wire descriptions, with sound effects added for atmosphere. A young Ronald Reagan was famous for doing exactly this for Cubs and White Sox games while working at WHO Radio in Des Moines in the 1930s.
Television: The Game Comes Home
The first televised baseball game in the U.S. aired on August 26, 1939 — a doubleheader between the Cincinnati Reds and the Brooklyn Dodgers, broadcast to the roughly 400 television sets then operating in New York City. The picture was grainy, the camera angles were limited, and the commentator struggled to keep up, but the concept was undeniable.
Through the 1950s and into the 1960s, television sets became fixtures in American living rooms, and sports programming grew with them. The Game of the Week brought baseball into homes across the country. NFL football, which had been a distant second to baseball in cultural prominence, exploded in popularity once it found its footing on television — a relationship that would eventually make it the dominant American sport.
But even in the early TV era, access was limited. You watched what the networks decided to broadcast. If your team wasn't featured that week, you listened to the radio. If the game was blacked out in your local market — a common practice designed to protect ticket sales — you got nothing.
Cable, Sunday Ticket, and the End of Scarcity
ESPN launched in 1979. At the time, the idea of a network devoted entirely to sports, broadcasting around the clock, seemed like either genius or madness. It turned out to be both, and it changed everything.
Cable sports packages through the 1980s and 1990s gave fans access to more games than any previous generation could have imagined. The NFL Sunday Ticket, launched on DirecTV in 1994, let subscribers watch out-of-market games — a concept that would have been science fiction to a fan in 1954. Regional sports networks multiplied. Every major league team eventually had its own broadcast home.
And then streaming arrived and dismantled even those structures. Today, games are broadcast on Peacock, Amazon Prime, Apple TV+, ESPN+, and a rotating cast of platforms that seems to change every season. You can watch a game on your phone during a commute, pause it, resume it on your TV, and get real-time updates simultaneously from half a dozen apps. Fantasy sports and sports betting have added entirely new layers of engagement that didn't exist for previous generations.
The Fan Has Changed Too
The technology didn't just change how Americans watch sports — it changed what it means to be a fan. Fandom today is participatory in ways it never was before. You can interact with players on social media. You can watch post-game press conferences live. You can access advanced analytics that rival what professional front offices had access to a decade ago.
Something has shifted in the process, though. The communal experience of gathering around a radio or crowding outside a telegraph board created a shared, public fandom that felt connected to place and community. Today's sports consumption is often intensely personal and deeply fragmented — each fan curating their own experience across multiple devices and platforms.
The game is the same. The world watching it has been rebuilt from the ground up.